As the title suggests, Woodstock Music Society’s next concert is a celebration of English composers — specifically, Elgar, Howells, Finzi and Rubbra. In England explores some of the lesser-known choral and orchestral works of these composers from the late 19th and early 20th centuries, in what promises to be a delightful and inspirational programme.

Conductor Paul Ingram (pictured) says: “We have chosen the title In England, for although each composer has a very distinct style, they can all be said to represent the best of English music. I am also interested in exploring choral works which are not the standard choral repertoire. These pieces have been a challenge for the choir, but one they have taken on enthusiastically.”

Howells’ cantata Sir Patrick Spens is based on an ancient ballad about heroic sailor Spens, who in the 13th century was commissioned by the King of Scotland to rescue a princess from Norwegian warlords, but finished up in a watery grave. This performance features baritone Quentin Hayes and tenor Benjamin Segal.

Rubbra’s celebratory motet The Morning Watch is a setting of a poem by Henry Vaughan, commissioned by the Musicians Benevolent Fund for the 1946 St Cecilia Festival.

Following the same theme is Finzi’s For St Cecilia, a setting of Edmund Blunden’s poem Delightful Goddess featuring tenor soloist Benjamin Segal.

“What I have found most interesting is the way the three composers have drawn inspiration from three wonderful poems,” says Paul. “In their different ways, the composers have produced thought-provoking and imaginative pieces, which demand to be heard more often.”

Elgar’s little-known orchestral work The Wand of Youth Suite No.2, based on sketches he wrote as a child, completes the quartet, and shows Elgar at his creative best.

n In England is at St Mary Magdalene Church, Woodstock, on March 30 and 31. Tickets are available from Woodstock Bookshop (tel: 01993 812760) or on the door. For information, visit the website (www.woodstockmusic.info)