THE BLIND SIDE (12A).

Drama. Sandra Bullock, Quinton Aaron, Tim McGraw, Lily Collins, Jae Head, Kathy Bates.

Dreams do come true. Just ask Sandra Bullock. Earlier this month, the reigning queen of the romc com prized the Oscar statuette out of Meryl Streep’s deserving hands for her role in this life-affirming true story.

Based on the book The Blind Side: Evolution Of A Game, Bullock delivers an eye-catching turn as a crusading southern mom, reminiscent of Julia Roberts’s Oscar-winning theatrics in Erin Brockovich. She is spunky and sassy, snaffles all of the best lines and manages to make even the sappiest lines in writer-director John Lee Hancock’s script ring true.

On this side of the Atlantic, where American football isn’t a religion, the underlying tale of sporting triumph against the odds doesn’t quite score an emotional touchdown.

However, The Blind Side wears its heart on its shoulder padding for the entire 128 minutes and eventually, the gosh darn wholesomeness of the characters wins us over.

Leigh Anne Touhy (Bullock) is a Christian housewife in Memphis, Tennessee, who enjoys a privileged life with husband Sean (McGraw) and children Lily (Collins) and SJ (Head).

Driving home one night, Leigh spots one of the youngsters’ classmates – Michael Oher (Aaron) – wandering along the road and offers the homeless, black teenager a roof for the night.

The matriarch takes pity on Michael and offers him a room and encourages the lad to improve his grades and chase the possibility of an American football scholarship.

However, Michael’s abusive past haunts him and he returns to the housing project where he grew up to try to track down his mother, running into trouble. He soon realises that the well-dressed lady from the other side of the tracks is more than capable of taking care of herself.

Inspired by a true story, The Blind Side tugs every heartstring and ticks off every cliché.

Yet, predictable as it may be, the film gets under our skin, captained by Bullock’s hugely entertaining lead performance. Aaron is instantly likeable and Head is a little scene-stealer, along with Kathy Bates who makes the most of her slender role as the tutor who helps Michael to improve his grade point average. Hancock’s film warrants a very respectable grade B. ***