The robots in disguise continue their age-old feud in the eagerly-awaited sequel to one of the biggest box office hits of 2007. Director Michael Bay (Armageddon, Pearl Harbor) returns to the helm for Transformers: Revenge of the Fallen to destroy large swathes of planet Earth in a miasma of pyrotechnics and computer-generated imagery, courtesy of the wizards at Industrial Light & Magic and Digital Domain.

The second film pushes the visual effects envelope with more outrageous slam-bang thrills, apocalyptic set-pieces and skirmishes between the noble Autobots and their sworn enemies, the Decepticons. At times, the screen becomes a blur of entangled, shiny automaton limbs and it's difficult to work out who has the upper hand until the dust settles or, as in the film’s most heart-tugging moment, one of the metal monsters powers down for good. Steve Jablonsky’s booming orchestral score begins at an ominous growl for a throwaway prologue in 17000 BC and steadily increases in volume to match the on-screen crash, bang, wallop.

Two years have passed since high school student Sam Witwicky (Shia LaBeouf) and his Autobot friends defeated power-hungry Megatron (voiced by Hugo Weaving).

In the intervening period, humankind has forged an alliance with Autobot leader Optimus Prime (Peter Cullen) to create a top-secret military division known as NEST, which hunts down the last remaining Decepticons. Field commanders Major Lennox (Josh Duhamel) and USAF Master Sergeant Epps (Tyrese Gibson) lead these covert missions, flanked by Ironhide, Jazz, Ratchet and some new additions to the Autobot fold.

Meanwhile, Sam prepares for his first year at college by bidding farewell to his parents (Kevin Dunn, Julie White), beautiful girlfriend Mikaela (Megan Fox) and robot protector Bumblebee. In the middle of class, Sam experiences powerful visions of hieroglyphs, and as these hallucinations become more intense the young man senses that Autobot leader Optimus Prime has been keeping secrets from him.

Sure enough, the Decepticons are preparing to return to Earth in even greater numbers to fulfil an ancient prophecy.

Transformers: Revenge of the Fallen overstays its welcome by at least 30 minutes with a middle section that sags badly, as Sam and co join forces with college room-mate Leo (Ramon Rodriguez) and former agent Simmons (John Turturro) to unravel the mystery of the symbols.

The introduction of a Decepticon called The Fallen echoes Star Wars, while chaotic scenes of appliances in the Witwicky family home coming to life are an obvious nod and a wink to Gremlins.

Bay orchestrates action sequences with customary aplomb and lack of subtlety, employing slow motion ad nauseam as American pluck once again rescues humanity from annihilation.

LaBeouf uses his impressive comic timing to highlight Sam’s vulnerability as his reluctant hero is thrust into the middle of a titanic battle beyond his comprehension or control.

“This is not my war,” he tells Optimus Prime. “Not yet, but I fear it soon will be,” sombrely replies the Autobot leader.

Fox reapplies her lip-gloss unseen during each bravura stunt sequence. While entire cities fall, her pout remains lustrous.

If Major Lennox would only melt Megatron and his minions using sunlight reflected off those lips, the Decepticons would be banished far sooner and we wouldn’t spend the last half-hour glancing nervously at our watches.

Writer-director Nick Moran adapts his own acclaimed stage play for the big screen in Telstar, documenting the rise and fall of pioneering gay British songwriter and record producer Joe Meek, who stormed to the top of the charts on both sides of the Atlantic in 1962 with the titular track. The film opens in 1961 when Joe (Con O’Neill) is installed in his self-built recording studio above a leather goods store at 304 Holloway Road in London, financed by Major Wilfred Banks (Kevin Spacey).

With the help of songwriting partner Geoff Goddard (Tom Burke), Joe guarantees a steady stream of work for his house band, The Tornados, comprising drummer Clem Cattini (James Corden) and guitarists Chas Hodges (Ralf Little) and Alan Caddy (Tom Harper). When blond singer Heinz Burt (JJ Feild) catches Joe’s roving eye, the two become lovers and the producer grooms Heinz for solo stardom with The Tornados essentially as accompaniment.

However, the threat of financial ruin, and Joe’s carefree lifestyle at a time when homosexuality is illegal, nudge him to the brink of self-destruction.