In the programme they printed the names of the cast of Calamity Jane in alphabetical order. Quite right too, for if ever there was a show in which all 16 artistes were stars, then this was it.

The New Theatre audience were treated to first-class singing, first-class dancing and first-class musicianship — if that’s the word I’m looking for. Dancers became violinists and musicians sang. Even Calamity herself — wonderfully performed by Jodie Prenger — showed she was adept when it came to playing the spoons, a new skill for this highly talented Lancashire lass.

The initial tour of this Watermill Theatre Production, superbly directed by Nikolai Foster, was expected to last six months, however, the company’s reputation spread and fresh dates were added. A year in, there are still no signs of road fatigue.

Tom Lister is only in his second musical, but he was outstanding as Wild Bill Hickok, and what a voice. He spent nine years hiding it playing Carl King in Emmerdale.

Sophia Ragavelas charmed everyone as Katie Brown, the girl who steals the heart of Calamity’s first love, Alex Hammond, ideally cast as Danny Gilmartin. Again first-class voices, their duets were a delight. Bobby Delaney, as Francis Fryer, who attempts — unsuccessfully — to convince the patrons of this wild west town that he is a girl contributed much humour to the part, while Sioned Saunders played Susan, a girl of modest ambition — though there was nothing modest about her performance.

Prenger has a rare talent. Her voice is extraordinary, powerful, yet never overpowering. Her delivery of Secret Love brought the house to its feet, while her dancing, though frantic, was always under control. She is also a generous performer, never eclipsing those in less prominent parts. A real team player.

Peter Unsworth